Jonah Scott

written by Nartana Nólë
on 3.13.26 in 💫 Talent Spotlight

Jonah Scott: A Procedural Review of an Unexpectedly Extensive Vocal Career

Jonah Michael Scott, born September 8, 1993, in Villa Hills, Kentucky, is an American voice actor based in Los Angeles, California, whose career trajectory follows the kind of arc that career counselors might describe as non-standard and that everyone else might describe as a person who decided to do the interesting thing at every available fork in the road. He is known, depending on which segment of the internet one inhabits, as the voice of a large introspective wolf, a number of morally complex antagonists, a reformed yakuza who enjoys housework, and a Scottish-accented video game protagonist navigating a post-apocalyptic city. These are separate projects. They are all on his resume. The resume is long.

Origins and Foundational Training: The Kentucky Period

Scott was raised in Villa Hills, Kentucky, and attended Covington Catholic High School before enrolling at Western Kentucky University to study musical theatre, a choice that was entirely reasonable at the time and which later collided with an equally strong interest in competitive video gaming, specifically the kind played at a semi-professional level. The resulting crossroads, at which Scott reportedly found himself weighing the relative merits of a career in stage performance against a career in esports, was resolved not by either option but by a third one that had not been formally tabled: voice acting.

His formal performance training was also significantly shaped by the Moss Dance and Performing Arts Academy in Fort Wright, Kentucky, run by Joe and Amy Moss, to whom Scott has attributed, with some emphasis, the entirety of his subsequent Los Angeles career. This is either a remarkable endorsement of regional performing arts education or a very efficient way to thank two people. Probably both.

Upon graduating from Western Kentucky University, Scott relocated to Los Angeles, where he crashed on a friend’s couch while attempting to book voice work, a start that is structurally identical to roughly sixty percent of all Los Angeles origin stories and which is mentioned here not because it is unusual but because it is accurate and because the couch-based phase of a successful career always deserves documentation.

Early Career: The Accumulation of Supporting Characters

Scott’s initial professional output consisted of smaller roles across anime dubbing projects, video games, and audiobooks, the kind of foundational work that is rarely discussed in profile pieces but without which no larger career is plausibly assembled. He accrued credits across studios including Bang Zoom! Entertainment, FUNimation Entertainment, SDI Media, NYAV Post, and others, building the kind of professional infrastructure that looks, in retrospect, like a plan, and which was almost certainly more chaotic in real time. He voiced Formaggio in the English dub of JoJo’s Bizarre Adventure: Golden Wind, a gangster with a shrinking Stand ability and a notable fondness for cheese, and was by several accounts among the breakout performers of that particular dub ensemble. Formaggio is a villain with limited screen time who is nonetheless remembered by the portion of the internet most invested in such things, which is a more specific form of fame than it sounds.

Beastars: The Wolf That Changed the Filing System

In 2020, Scott was cast as Legoshi, the lead character in the Netflix anime series Beastars, based on the manga by Paru Itagaki, and this is the point at which, by all available evidence, the career shifted registers. Legoshi is a large grey wolf enrolled in a high school drama club who spends a considerable portion of multiple seasons wrestling with questions of identity, predatory instinct, and romantic feeling for a rabbit, none of which are typical protagonist concerns. Scott voiced the character across all four seasons of the series, delivering a performance that required a sustained register of hesitant interiority that is, when one stops to consider it, a fairly unusual professional specialty.

The role brought Scott to a significantly wider audience and is, along with several subsequent credits, among the most frequently cited entries on his professional record. It was also, by his own account, one of his favorite characters, which is either a sign of deep artistic investment or of a man who genuinely enjoys voicing a conflicted wolf, and which is perhaps not a distinction that needs to be resolved here.

Video Game Work: The Interactive Column

Scott’s video game credits constitute a separate but substantial portion of the overall ledger. In 2022, he voiced Aiden Caldwell, the lead protagonist of Dying Light 2: Stay Human, an open-world action game set in a post-apocalyptic city overrun by infected, in which the player character is required to climb a great many buildings and make a great many morally weighted decisions. The role was a full lead performance in a AAA production and represented a significant entry into that tier of game development. Scott has noted it as among his most personally significant credits, alongside Legoshi, for reasons presumably related to the volume of existential weight both characters carry through their respective narratives.

Additional video game credits of verified record include Count Verandis Ravenwatch in The Elder Scrolls Online, Randy Orlando in the Legend of Heroes: Trails of Cold Steel series, and roles in SMITE and Death Battle!, the latter of which is a web series in which fictional characters fight each other to a conclusion and which is, despite its premise, taken quite seriously by a devoted audience.

Anime Dubbing: A Continuing Enumeration

The anime dubbing section of Scott’s career is, to employ the appropriate technical phrasing, extensive. He voiced Courier in Akudama Drive, a stylized cyberpunk series in which his character is defined primarily by speed and an absence of stated motives. He voiced Sniper Mask in High-Rise Invasion, Raiden Shuga in 86, Tatsu in The Way of the Househusband, Akihiko Kaji in given, Joe in SK8 the Infinity, Oliver Aiku in Blue Lock, and Willy Tybur in Attack on Titan The Final Season, a character of some narrative significance who appears for a relatively compact number of episodes before the plot proceeds in its characteristic direction.

He voices Charlotte Katakuri in One Piece, a character who is, within the internal logic of that series, among the most formidable antagonists in an arc that is itself among the longest arcs in a series that is itself among the longest running in the medium. He voiced Kokushibo in Demon Slayer: Kimetsu no Yaiba Infinity Castle, the 2025 theatrical film, a credit which arrives with the general cultural weight that attaches to anything associated with that particular franchise. Aoi Kaguragi in Kaiju No. 8 is also on the list. The list continues beyond this paragraph, which is a sentence that would require no embellishment even if embellishment were the intention.

The Mr. Love: Queen’s Choice Incident: A Noted Entry in the Record

In June 2021, Scott, who had been voicing the character Victor in the mobile game Mr. Love: Queen’s Choice, published a tweet stating that Taiwan is a country. This tweet, which is a factual assertion, was assessed by the game’s developer Papergames as grounds for contract termination. All of Scott’s voiced lines were subsequently removed from the game. The incident was reported by Anime News Network, among others, and Scott issued a follow-up apology for the manner in which the tweet had affected colleagues and partners. The episode occupies a particular position in the broader professional record as an example of geopolitical friction intersecting with a character voicing contract for a mobile dating simulation game, a combination of factors that would have been difficult to predict at the outset of a musical theatre degree in Kentucky.

Additional Notes of Professional Record

Scott is a classically trained singer with documented experience in stage productions and has contributed to sound design work with clients in multiple countries. He has been noted by observers, with some regularity, as possessing a voice that is occasionally confused with that of Matthew Mercer, a circumstance of which Scott has confirmed awareness. He launched a VTuber streaming persona, Alphonse MacKenzie, in November 2022, because the scope of his professional output was apparently not yet sufficiently broad. He has attended conventions as both a guest and, in earlier years, as an attendee, a biographical detail that situates him within the specific category of voice actor who was once on the other side of the autograph table and has not forgotten what that felt like.

For the purposes of consulting the formal record, Jonah Scott’s IMDb profile provides a current catalogue of credited work, which at the time of writing includes Demon Slayer: Kimetsu no Yaiba Infinity Castle among its most recent major entries and which will, with reasonable probability, be longer by the time anyone reads this sentence.

Jonah Scott set out from Kentucky with a musical theatre degree, a semi-professional gaming background, a friend’s couch to sleep on, and the kind of voice that recording studios, it turns out, find consistently useful for wolves, yakuza husbands, infected-city survivors, and Sweet Commanders of immense physical capability. What began as a decision made at a crossroads between Broadway and esports has since generated a career that requires multiple wiki pages to document, a VTuber persona, a geopolitical incident, and a running entry in the permanent logs of some of the most widely watched animated properties currently in production. The couch, presumably, has been upgraded.

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