The Reviews Are In: Soulslinger: Envoy of Death Kills It
What happens when you toss a wild west shooter, a roguelike, and a heavy dose of supernatural flair into a blender, then give it a silky voiceover polish? You get Soulslinger: Envoy of Death, a stylish indie title that’s turning heads, blasting baddies, and racking up praise for its visuals and voice acting alike.
Let’s break it down: The game throws you into Limbo, a purgatorial playground drenched in smoke, fire, and spectral revenge. Think Doom meets Red Dead Redemption, with a side of existential dread. Sounds like a mood, right?
Who’s Behind the Mayhem?
Developed by Elder Games and published by Headup Games, Soulslinger is still in Early Access, but it’s already packing serious heat. The brains behind the operation are the same folks who brought you Everreach: Project Eden, and this time, they’ve gone full boomer-shooter with roguelite mechanics and a hauntingly vivid western-noir aesthetic.
But the real secret sauce? The voice acting. And fans have noticed.
The Voice Behind the Void
The titular Soulslinger is voiced by none other than D.C. Douglas, whose vocal resume includes Resident Evil’s Albert Wesker, Mass Effect‘s Legion, and Star Wars Jedi: Survivor‘s Rayvis. In this game, he brings a rich, sardonic weight to the role that anchors the whole bloody experience. Other voice talents are expected to expand as the game continues development, but for now, Douglas carries the mic like a man possessed. (Which is fitting. He is.)
Critics are Buzzing
Impulse Gamer highlighted how the world-building is elevated through small character interactions and mid-battle quips that echo the irreverent energy of retro shooters. They loved how it “ties the game’s world together nice and neatly.” Translation? This ain’t your average hellscape.
The Geekly Grind gave high marks for the eye-candy: “Limbo’s fantasy western design is very cool… Smoke, explosions, and other particle effects bring the action to life.” Basically, if you’re not distracted by the shooting, you’ll be gawking at the scenery.
GameLuster got a bit more philosophical, admitting the enemy AI needs polish but still giving kudos to the game’s presentation and “generally great” voice work. For an Early Access title, that’s a win.
Steam Users Have Spoken
It’s not just critics—players are feeling the vibes, too. Steam user reviews are bubbling with compliments about the voice work. Here’s a sampler:
- “Really good voice acting which is a good surprise for an indie game!”
- “Solid voice acting. Surprisingly well-done, especially for an indie title.”
- “The voice acting is good as well.”
Even users not normally focused on audio quality are noting how strong the performances are. That’s not just good casting—that’s good direction. And good whiskey, probably.
Visuals to Die For (Literally)
The world of Soulslinger isn’t just about sending evil souls back to the abyss—it’s about doing it in style. Lords of Gaming praised its “awesome particle effects” and detailed environments. VaporLens echoed this with props for “appealing visuals, models, particle effects, and lighting.” You’re not just shooting demons; you’re painting with bullets.
From the dusty ruins of broken saloons to fire-lit caverns of spiritual anguish, this is one of the prettiest nightmares you’ll step into this year. And trust us, it’s a great year for nightmares.
The Verdict?
With its cinematic visuals, fast-paced gunplay, and some truly top-tier voice acting (seriously, D.C. Douglas does NOT phone it in), Soulslinger: Envoy of Death is proving to be one of the most entertaining indie FPS titles of the year. If you haven’t picked it up yet, saddle up, cowboy. Limbo’s calling.
[reprinted with permission]